Foyer of Building EA, Australia-China Institute for Arts and Culture, Parramatta Campus (South), Western Sydney University
Ground Floor, Building EA, Parramatta Campus (South), Western Sydney University, Corner of James Ruse Drive and Victoria Road, PARRAMATTA 2150


ACIAC Reception C.
9685 9944

Celebrating friendship with Australia-China arts and cultural ambassadors, Professor Labao Wang, Director of Australia-China Institute for Arts and Culture (ACIAC) at Western Sydney University, is delighted to invite you and your family and friends to join us for the launch of a great book about cultural ambassadors by award-winning Chinese Australian artist Dr Tianli Zu, The Tao: Conversations on Chinese Art in Australia, and for ACIAC’s 2018 end-of-year party.


Official Launch of The Tao
Professor Barney Glover FTSE FRSN MAICD
Vice-Chancellor and President, Western Sydney University

Book Review
by Dr Stephen FitzGerald AO

This is an inspired idea, brilliantly realised. It is like visiting a salon, in which people connected by one thread, art, in the large fabric of the modern Australia-China story take turns telling their personal stories. They talk of creating and curating and facilitating art, of moving between the two countries for art, of alighting, moving on, returning. It’s like oral history, or seventeen small-scale oral histories spoken by large-scale individuals. And they all know each other, or have met, and often refer to each other in their stories, and that gives it this sense of a salon conversation.

Creator, moderator and editor Tianli Zu is herself a part of this world. A gifted contemporary artist and conversant in both Australian and Chinese cultures, she connects and directs the conversations as a historian, cajoling and coaxing her subjects into candidness, surfacing mood and aspiration and consummation, encouraging their humour.

Anchored in the subject of art, this is not an ‘art book’. It’s a book for the reader who finds interest and satisfaction in a good story, in this case a story of personal movement and colour and striving and friendship that has gone on underneath the superstructures of Australia-China relations, and the essential joy of an engaged life.

The Tao: Conversations on Chinese Art in Australia is unique in the literature of Australia and China. It is intellectually serious, but also playful; it is enquiring and informative, but also entertaining; and it is such fun to read.